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Graphic design
Design

Alexande Jean Le Sage de Fontenay

Website
www.alexjean.design
E-mail
alexjeanedvard@gmail.com
Telephone
6967037
Social Media
Instagram
Vefsíða
I am dedicated to interdisciplinary methods, new perspectives and discovery. This includes uprooting the past with various results. Collaboration is a creative process which I enjoy. 🤝 I hold a BA in visual communication (Iceland University of The Arts, June 2021). I finished an exchange semester at the Graphic Art and Graphic Design deps. at Estonian Academy of Art (EKA), Tallinn in 2020. I also hold a BA in Art History / Film studies from The University of Iceland. 🌀
Weimar Walking: A publication printed in 100 copies, made for student essays on art exhibiton curation in the times of COVID-19. Institute: Bauhaus University, Weimar and NOVA project space. Publisher: Lucia Verlag
Weimar Walking: A publication printed in 100 copies, made for student essays on art exhibiton curation in the times of COVID-19. Institute: Bauhaus University, Weimar and NOVA project space. Publisher: Lucia Verlag
Logotype for the Icelandic electronic music label Sweaty Records in 2021.
Logotype for the Icelandic electronic music label Sweaty Records in 2021.
Album cover for Icelandic Volruptus and Australian Jensen Interceptor. Released by: Berlin-based, Icelandic electro music label Sweaty Records in 2021. Illustration by Björn Heimir Önundarson. Type design, layout by me.
Album cover for Icelandic Volruptus and Australian Jensen Interceptor. Released by: Berlin-based, Icelandic electro music label Sweaty Records in 2021. Illustration by Björn Heimir Önundarson. Type design, layout by me.
I designed a poster and catalogue for the exhibition ⭐️‘All Is Fair’⭐️ An edition of 500 catalogues was risograph-printed by ‘Prent og vinir’ in bubblegum, blue and black on 150g Munken Polar Rough paper.
I designed a poster and catalogue for the exhibition ⭐️‘All Is Fair’⭐️ An edition of 500 catalogues was risograph-printed by ‘Prent og vinir’ in bubblegum, blue and black on 150g Munken Polar Rough paper.
Disco at Studio 54 in New York. / Acid house at The Haçienda in Manchester. / Techno at Berghain in Berlin. ‘The Power To Arouse Curiosity’ is my new risograph print celebrating clubbing culture, freedom of expression and creativity.
Disco at Studio 54 in New York. / Acid house at The Haçienda in Manchester. / Techno at Berghain in Berlin. ‘The Power To Arouse Curiosity’ is my new risograph print celebrating clubbing culture, freedom of expression and creativity.
Silkscreen print and poster designs for workshop exhibit Pressa (Eng: Pressure) in Seyðisfjörður, Iceland 2020. A a printing press owned by Dieter Roth can be seen and I used ‘Seperat’—a beautiful typeface by Or Type—in a playful way.
Silkscreen print and poster designs for workshop exhibit Pressa (Eng: Pressure) in Seyðisfjörður, Iceland 2020. A a printing press owned by Dieter Roth can be seen and I used ‘Seperat’—a beautiful typeface by Or Type—in a playful way.
Double-sided, A1 poster of visual threads and information gathered from my Bachelor thesis. One side is devoted to the Icelandic vinyl record and the other the years 1975-80—an important time for the early days of Icelandic music production
Double-sided, A1 poster of visual threads and information gathered from my Bachelor thesis. One side is devoted to the Icelandic vinyl record and the other the years 1975-80—an important time for the early days of Icelandic music production
Seyðisfjörður inspired with a touch of 1970s Dieter Roth mixed-media prints; questioning my idea of “home”. The center of attention is a an orange, chubby, cool cat sneaking around some garbage cans in my neighbourhood in Reykjavík. Mjá.
Seyðisfjörður inspired with a touch of 1970s Dieter Roth mixed-media prints; questioning my idea of “home”. The center of attention is a an orange, chubby, cool cat sneaking around some garbage cans in my neighbourhood in Reykjavík. Mjá.
‘Encouragements’ (2020) watercolor, spray-paint, lip-stick and coal on 150g Hahnemühle • 29,7 x 42 cm • Series of 5 / Edition 1/1
‘Encouragements’ (2020) watercolor, spray-paint, lip-stick and coal on 150g Hahnemühle • 29,7 x 42 cm • Series of 5 / Edition 1/1
My exhibit ‘RUBBI$H’ which was on display on project-space FLÆÐI for two weeks in summer 2020. An experimental process mixing thermal and risographic printing. Examining the relationship between the aesthetic and unsightly.
My exhibit ‘RUBBI$H’ which was on display on project-space FLÆÐI for two weeks in summer 2020. An experimental process mixing thermal and risographic printing. Examining the relationship between the aesthetic and unsightly.